A record shop owner who suffered a cardiac arrest after being stabbed with a syringe full of a power anaesthetic says he fears he may never know why he was attacked.

Gary Lewis, 65, almost died when he was injected with rocuronium by 58-year-old nurse Darren Harris at Betterdaze in Northallerton on 2 July last year.

Harris, who is due to be sentenced later, was found guilty of attempted murder after a trial at Leeds Crown Court, but offered no explanation for the attack.

Speaking to the BBC, Mr Lewis said: “It leaves you with the quandary, sometimes bordering on paranoia, about why somebody would go to those lengths.”

On the day of the attack Harris travelled from his home in Middlesbrough, where he worked as a nurse at James Cook Hospital, to Northallerton, where he stabbed Mr Lewis in the backside before leaving the shop.

Mr Lewis said he had followed Harris outside to confront him, but collapsed a short time later.

CCTV footage shows him leaving the shop to remonstrate with Harris, before neighbouring shop keepers come to his assistance and police arrive to detain Harris.

“Apparently I died on the footpath, my heart stopped on the footpath,” he said.

“I regained consciousness and they tell me I had a second cardiac arrest in the ambulance.”

Mr Lewis said he had been told it was his decision to leave the shop, which he puts down to his training during 30 years in the police force, that saved his life.

“The doctors are absolutely certain,” he said.

“If I’d stayed where I was I would have had the heart attack without anyone being around me and the next person to walk in the shop would have found me.”

When Harris was arrested he repeated claimed the syringe had been full of water, but it was later found to have been filled with rocuronium.

Harris did not give evidence during his trial but in a police interview he claimed he had been pushed out of the shop by Mr Lewis following an argument.

CCTV footage showed no such altercation took place and no other motive for the attack has been put forward.

Mr Lewis said: “Nobody in the family can get their head around it. It’s baffled the police, it’s baffled the barristers, it’s baffled the court, it’s probably baffled the hospital.

“I’m not going to plead with the guy, but if he’s got any humanity he will give me an explanation.

“It wasn’t random, it couldn’t have been more deliberate and targeted. Whether I’ll ever find out, I almost have to deal with the possibility that I might not and that is psychologically impacting.”

Mr Lewis said he was back at work within days of the attack, but said he had struggled with the idea that had he not made it out of the shop his heart attack might never have been revealed as attempted murder.

“The drug clears your system, which is why I would have died if I’d stayed in the shop,” he said.

“It would have disappeared and nobody would have looked for a pin prick, it would have been put down as a cardiac arrest.

“But the psychology of it, there can’t be many victims of such a crime who have to return to the scene of the crime every single day and sit in the same seat where you were attacked.

“I do not think it will ever be over and done with unless I am given a reason and I can’t imagine what that reason would be.

“You wrack your brains but you’ve almost got to not think about it too much because I may never get an explanation.”

South Tees Hospitals NHS Foundation Trust said Harris’ employment was terminated in August 2024.

It said a review into the storage of medications, including controlled drugs, in cardiac theatres and general theatres was carried out in light of the incident and concluded “all theatres were fully compliant with national guidance”.

It was a typical Friday lunchtime in Beirut’s southern suburb. Then, a single warning, posted in Arabic on X by a spokesperson for the Israel Defense Forces (IDF), triggered panic and chaos in the densely populated area known as Dahieh.

“Urgent warning to those in the southern suburb of Beirut,” it read. The post included a map of a residential area, marking a building in red and two nearby schools. The IDF identified the building as a Hezbollah facility, and ordered the immediate evacuation of the schools.

An air strike was imminent.

What followed were scenes of sheer panic. Parents rushed towards the threatened area to collect their children from the schools, while residents fled in the opposite direction, visibly shaken and fearful.

“It was total chaos,” recalls Ahmad Alama, the director of St Georges School, one of those highlighted on the map. “We tried to contain the situation as much as we could, but it was crazy.”

The area was soon cleared, and Israeli forces destroyed the marked building, which they said was a warehouse storing Hezbollah drones.

The strike, carried out two weeks ago, was the first on Dahieh – an area with a strong Hezbollah presence – since a ceasefire ending the war between Israel and Hezbollah took effect last November.

It came hours after two rockets were launched from southern Lebanon towards northern Israel. Israel said it intercepted one rocket, while the other fell short of the border.

Hezbollah, the Iran-backed militant and political group, denied involvement. Israel described the rocket fire as a ceasefire “violation”, while the office of Lebanon’s president, Joseph Aoun, condemned the Israeli strike as a “violation of the agreement”.

“We thought the war had ended with the ceasefire,” says Mr Alama, “But unfortunately, we’re still living it every day.”

Despite the ceasefire, Israel has continued near-daily strikes on people and targets it says are linked to Hezbollah, saying it is acting to stop Hezbollah from rearming. The strikes have mainly occurred in southern Lebanon, but the recent bombings in Dahieh have sparked particular alarm.

On 1 April, a second Israeli strike hit the area – this time without warning – killing a Hezbollah commander and three other people, according to the Lebanese health ministry.

Mr Alama has been running St Georges School for 30 years. It serves around 1,000 children of all ages, boys and girls. Although religion is part of the curriculum for older pupils, he describes the school as secular.

It is also well-known in the community for its association with the Lebanese pop star and talent show judge, Ragheb Alama – Ahmad Alama’s brother and the school’s owner.

The recently destroyed building lies just metres from the school. It isn’t the only nearby scene of devastation. Another building, opposite one of St Georges’ gates, remains a massive pile of rubble – brought down by Israeli air strikes before the ceasefire.

During the war, the schools were closed. They didn’t have to deal with situations such as the one they faced. Now reopened, they are braced for the possibility of more bombing.

The school has devised evacuation plans, designating emergency meeting points in the basement and routes for pupils and staff to follow in case of any danger.

There are also new communication plans with parents to prevent a repeat of the chaos of last month’s strike. Children are now routinely reminded of these procedures, with regular evacuation drills.

Students, staff, and parents alike are traumatised by what happened, Mr Alama says.

Initially, the school considered cutting back on extracurricular activities to make up for lost learning, but they changed their minds.

“We decided otherwise,” Mr Alama says. “Pupils shouldn’t pay the price for something they aren’t responsible for. We’ve actually ended up increasing these activities – these kids need to release some of the pressure on them.”

Nearly five months into the ceasefire, the return of Israeli air strikes to Beirut has intensified fears of a return to all-out war.

The ceasefire was meant to end more than 13 months of conflict between Israel and Hezbollah, which began when Hezbollah launched attacks on Israeli military positions the day after the Hamas attacks on southern Israel on 7 October 2023, saying it was acting in solidarity with Palestinians in Gaza.

The conflict escalated in September 2024, when Israel launched a devastating air campaign across Lebanon and invaded the south of the country.

Dahieh, deserted during the war, is bustling again. Shops have reopened, hookah smokers are back at crowded cafes, and the suburb seems as busy as before, with its persistently paralysing traffic.

But amid these signs of normality, scenes of destruction serve as a reminder of the pounding this area endured just months ago.

Some 346 buildings in the area were destroyed and another were 145 partly damaged by Israeli air strikes, according to a municipal official. Israel said it targeted Hezbollah facilities and weapons caches.

In many neighbourhoods, the rubble is still being cleared. The roar of bulldozers and jackhammers drilling into piles of debris is almost constant.

Some of the mounds of debris have Hezbollah flags planted on top of them, while large and small portraits of Hassan Nasrallah, the former Hezbollah leader killed by Israel during the war, line the roads.

However, amid the customary signs of defiance, many are now expressing a deep concern not always voiced – at least in front of cameras – by residents of Dahieh.

“The destruction is terrifying. I see the destroyed buildings and I cry,” says Sawsan Hariri, the headteacher of Burj High School, also in Dahieh.

The school, which also sits opposite a flattened building, sustained damage from nearby strikes.

“It’s depressing. Walking on the street, driving your car – it’s all just depressing.”

Ms Hariri used to live on the top floor of the school building with her husband and daughter, but their home has been destroyed. They now rent a flat nearby.

Before the war, Burj High School had around 600 pupils. Now, it has barely 100.

Many parents are reluctant to send their children back amid the scenes of destruction and the constant buzz of machinery. Others were concerned about the health risks, with thick dust still filling the air.

After the ceasefire, owners of the private school made some basic repairs at their own expense.

Hezbollah, which is banned as a terrorist organisation in many countries but in Lebanon is a political and social movement as well as a paramilitary force, has given those who lost their homes $12,000 for a year’s rent and has offered to cover the costs of repairs to apartments. However, schools and other institutions have not received any aid.

The Lebanese government has pledged to set up a reconstruction fund, which the World Bank estimates will cost $11bn nationwide. But international donors are believed to be insisting on the disarmament of Hezbollah and political reform – conditions that appear a distant prospect.

Though the clearing of rubble is expected to be over by the end of the year, few expect large-scale rebuilding to follow anytime soon.

The young cast of Alex Garland’s film Warfare had to bond pretty quickly, to play a US military unit whose lives depended on each other, during the Iraq war in 2006.

Familiarity was crucial, so before filming began, the cast were sent on a three-week military bootcamp.

They lived together, learning military jargon and gun safety and were pushed beyond their limits – all of which brought them closer together.

First off though, they agreed to shave each other’s heads to look the part, boosting trust and familiarity.

“We shaved our heads on day one, and got tattoos at the end of the process, so it bookended the experience,” Poulter tells the BBC.

The actor, who recently appeared in The Bear and Guardians of the Galaxy Vol 3, plays Captain Eric, who was part of a group of US soldiers and Iraqi scouts on a surveillance mission.

We see how it goes wrong, with devastating consequences.

Heartstopper star Connor plays newcomer Tommy, hitting home how young the soldiers were – he’s just turned 21, the same age Tommy was at the time.

The actor says the decision to get a shared tattoo with his castmates after filming wrapped was a “no-brainer”. The casts of The Avengers and The Lord of the Rings did the same thing after their final films.

Warfare’s actors decided their tattoo would say “Call On Me”, to reflect their brotherhood, while referencing Erik Prydz’s 2004 dance hit, which kicks the film off.

The cast features some other big names, including Reservation Dogs’ D’Pharaoh Woon-A-Tai, Shōgun’s Cosmo Jarvis, Stranger Things and the forthcoming Beatles biopic’s Joseph Quinn, and Riverdale’s Charles Melton.

“It was really formative for me,” Connor says about his time on the film. “I’ve made friends I really do believe I will know for a long time.

“We all wanted to commemorate it – we are so proud of the work we’ve done together.”

-The movie is based entirely on a real-life mission that took place during the Iraq war, and is built on the memories of the US soldiers who were there.

The group was embedded in the home of an ordinary Iraqi family, who we briefly see in the film, in Ramadi – an area controlled by Al-Qaeda forces.

The military’s goal had been to slip into and observe the area under the cover of darkness, to ensure the safe passage of ground forces there the next day.

What they didn’t know what that they were next door to an insurgent house, making them the target of an attack.

Shot in real-time, Warfare has no music or flashbacks, so there’s no let-up for the audience. You’re dropped into the thick of the action for the whole film.

The soldiers in command have to make split-second decisions amid the pain and chaos, with the Iraqi family caught in the crossfire.

Oscar nominee Garland, whose back catalogue includes the 28 Days film franchise and Ex Machina, got the idea for Warfare when he was making last year’s film Civil War.

He was working on the battle scenes with Hollywood stunt man and gunfight co-ordinator Ray Mendoza.

“During the edit process of Civil War, I was able to really focus on some of the work Ray had done, and how sophisticated and how nuanced it was,” Garland recalls.

They got chatting about Mendoza’s previous life as a US Navy Seal, and about the Ramadi operation, where he was its communications officer.

Mendoza said he’d always wanted to make a film about that mission.

The veteran had a very big reason for wanting to recreate what happened that day – to help replace the lost memories of his colleague Elliott Miller.

Miller, a former Navy Seal, was so badly injured in Ramadi that he suffered traumatic brain injury and memory loss, and had to have a leg amputated.

During the mission, Mendoza carried the unconscious soldier to the rescue tank that ultimately saved his life.

“Elliott doesn’t remember it, and when he woke up, he had a lot of questions,” Mendoza says.

“No matter how many maps we drew, or how many times we wrote it out – without that core memory, I think he’s had a hard time.

“It just raised more questions than answers. So I wanted to recreate this one.”

So Garland and Mendoza decided to make Warfare together, sharing writing and directing credits, and dedicating the film to Miller.

The crucial question is whether seeing the film helped Miller piece things together.

“It did, yeah – he was a sponge,” Mendoza says.

“We walked him through it – he had a lot of questions, he’s got kids that have questions.

“It’s now a film memory, but it’s as close as he’s gonna have – he’s super grateful.”

Miller was played by Jarvis, who calls him “a funny guy… he’s great – a living embodiment of perseverance”.

It was a “unique situation to be in when you’re entrusted with portraying somebody that’s sitting right across from you”, Jarvis said, about having the person he was playing actually on set.

“But because he didn’t remember [what happened], a lot of my references had to come from his colleagues.”

The soldiers’ casting has caused some excitement online, with some publications breathily calling the actors “all of the internet’s boyfriends” and “red hot rising stars”.

Garland arches an eyebrow at this, and Mendoza jumps in to talk about why those actors were chosen.

“I’ve said this to them, so I’m not trying to offend them, but we weren’t looking for the best actors. They’re all great actors. We were looking for the right actors,” he says.

“So what that means is their willingness to push their bodies past a comfort level that they’re maybe not used to. ‘You’re gonna be exhausted. You’re gonna be required to rely on other people. It’s not about you, it’s about the team’.

“And the ones that jump at that opportunity, you’re like, ‘Yep, that’s the attitude that we need’.”

Collating and cross-checking the soldiers’ memories was a big job, largely undertaken by Garland.

“I think there’s an inherent value in attempting to be honest and truthful about something as serious and significant as war,” he says.

He shot the film in a studio in a suburb north of London, on a former World War Two airfield, making it in real-time to recreate “a real incident of combat… as honestly, forensically and accurately as possible”.

Not surprisingly, while sharing credits with Garland, former US Navy Seal Mendoza ran the actors’ bootcamp.

He was played by Woon-A-Tai, who calls him “a brilliant instructor who instilled a lot of confidence in us”, while also making gun safety a top priority.

The actor was also fascinated by the narrative not being “dramatised or Hollywoodised”.

“To see these guys not obey orders – and do what they needed to save their platoon was interesting to me,” he says, talking about the soldiers’ evacuation process.

Mendoza thinks the film may also help veterans who are struggling to express what warfare can be like.

“Some of these things are harder to explain in words,” he says. “So art imagery is how I’m able to communicate that.”

Connor echoes this, saying: “A lot of these men are very much less inclined to talk about themselves in these situations, whether it be to be due to humility, or a difficulty in really articulating it.

“A lot of them just don’t really enjoy talking about their involvement.”

The film has been called “the most harrowing – and honest – depiction of modern combat ever made” by the Telegraph, while the New Yorker said it offers a “hyperrealist rebuke of the American war movie”.

The Guardian said the “film-makers’ message gets lost in the deafening blizzard of battle”, while Empire added: “It may well be cinema’s most effective, purest anti-war film: there is no sentimentality, no hand-wringing, but most significantly not a second of it makes war look cool, or attractive.”

Poulter says he admires the film-makers’ determination to make Warfare purely factual.

“Hopefully this film contributes to a better understanding of just how negative, and how the consequences of war are characterised by a lot of loss…

“I think this is as much an anti-war film as you can possibly hope to hope to see.”

Warfare is out in cinemas on Friday, 18 April.